eye to eye

sighting heritage

exploring slavery and local heritage through the eyes of South African youth

a nine-day intensive workshop held at the Slave Lodge in Cape Town, South Africa, imparting story-telling and photographic skills

an Other-Wise media Workshop
commissioned by the Cape Town City Council

This special and unique workshop allowed a diverse group of young people from townships around Cape Town to come together and create for themselves a record of their own histories that can be passed down through generations.

During the days of the workshop the participants explored the meaning of heritage for themselves and concluded that heritage has aspects that are positive and negative. They had many questions around the roots of racism and how to overcome it, the causes of violence and how to stop it, the brutal regime their parents grew up in and how it has shaped them, and what sort of legacy they themselves would like to leave behind.

As well as exploring heritage the purpose of the workshop was to teach participants story-telling through interview skills and photography skills.

Participants had questions of their own about South African heritage:


How did the hatred between black and white start?
Why the separation?
Who labeled us?
Why are we judged by the colour of our skin?
Why are the whites still defining black history?
Why don’t we want to research our own cultures?
Why can’t we live peacefully?
Why did white people hate us? Why white superiority?
Why did my ancestors let what happened to them happen?
Why are there more criminals now than ever before?
Why different cultures?
Explore different cultures
Who created the term Coloured? Where do “Coloureds” fit in?
The effects of apartheid
Why do the old people want to relive history?
The differences between white/black and African
Why hasn’t redistribution of wealth happened?
Why isn’t manual labour paid properly?
Why are women paid less than men?
Why isn’t there equal pay for equal work?
Why is the heritage hidden away in museums and we have to pay money to get in to understand our great grandmothers lives.
Why are people still afraid of each other?
What can I do to change things?

REFLECTIONS ON HERITAGE SITES


The Slave Lodge and the fairly indepth discussion about slavery that accompanied Lucy Campbells walkabout, gave participants the opportunity to place their own history with regard to the slave history of Cape Town. They began to see the connection between slavery, apartheid and their own lives today.

The value of youth-friendly, accessible and engaging heritage sites and building a culture of youth visiting these sites became very clear.

Because the heritage sector is so open to new ideas and elastic as it goes through the process of reinventing itself to be relevant, it was exciting to see the potential of some of the participants to feed dynamic news way of looking at the past into that process. Hopefully some of them will go on to become heritage workers.

The heritage books that came out of this intensive nine-day workshop provide a unique and fascinating contemporary lens into heritage through the eyes of youth in South Africa 2007.

They will be of interest to the public, to heritage academics and an inspiration to other young people when they are exhibited along with their photos in an upcoming exhibition. This webpage gives you a taste of what you can look forward to.

The process of creating the heritage books was powerful medicine providing a sense of self and belonging.

books exploring heritage

EDERIES KARRIEM - HANNOVER PARK

Ederies Karriem was one of the people who chose to go deepest into this process and who was the most clear about how he had benefited from it was the most vulnerable one in this respect. The introduction to his process is very eloquent about how he felt at the beginning of the workshop.


His self-portrait is of his shadow because he feels “I’m a shadow and I’m invisible like no-one can see me, hear me or feel me near them.” The last page of Ederies heritage book shows the journey he came in the process: Here he says that he knows who he is and has decided that he wants to be like his grandfather who was a positive role model for him. He is proud of his talent.

ederies shadow

THIS IS ME, I AM WHAT I AM. I DON’T KNOW MYSELF. I DON’T EVEN KNOW MY PAST. YOU TELL ME HOW CAN I LEARN WHO I AM, WHAT I AM, WHERE DO I LIVE AND WHAT IS MY CAPABILITY IN LIFE. I DON’ KNOW IF I HAVE TALENT BUT ALL I KNOW IS THAT I’M A SHADOW AND I’M INVISIBLE, LIKE NO-ONE CAN SEE ME, HEAR ME OR FEEL ME NEAR THEM. I WANNA KNOW CAN I LOVE, CAN I SEE THE WORLD AROUND ME?

 

ederies ring

My Daddy and his father’s memorable ring.
Ebrahiema Karriem, 55, Hanover Park. His mother and father, my grandmother and grandfather were born in District 6, he was also born there. He said his mother and father were very good people and that they also liked going to parties and clubs in their younger days. This was in the Woodstock Town Hall and the Laviahesta. They were the two best clubs that coloured people was allowed in. They lived in a street that was called Wanderleer Straat in District 6. That time there was food called by the name of Pootjies and Penns, there wasn’t chicken. That time every Sunday they used to eat boat, curry, meatballs and kolyflower food. He learned from both his parents and in school. The smell of the sea gave them a fresh smell every morning.

This radio reminds me of my grandpa’s favourite songs titled Hurt, Sunshine ..etc. When I was 9 years old I used to sing with him but I never knew the words but I sang with him till today. But no-one can say if I’m a singer or what. Thankx Grandpa for also bringing me this far. I have trusted you for too long but I have to do it on my own now.

This piece of art was drawn by my Grandpa. This picture was painted two weeks before they were thrown out by the cops in Apartheid.

THE REASON I CHOOSE THIS PICTURE WAS BECAUSE OF ME AND I KNOW THIS BOY NOW. HIS NAME IS M. EDERIES KARRIEM. THIS BOY IS VERY TALENTED LIKE HIS GRANDPA, SOME PEOPLE SAY AND THEY ALSO SAY I LOOK LIKE MY DADDY AND I’M GETTING TO BE LIKE HIM. BUT THEN I SAY TO THEM I DON’T WANNA BE LIKE MY DADDY, I WANNA BE LIKE MY GRANDPA, I USED TO CALL HIM ‘BOETA’. THE END. THANK YOU

 

THANDI BOTHA - GUGULETHU

Participants were given the authentic documents from their families of the oppressive documentation of apartheid. In this way the families found recognition and these important bits of history found a home and an informal archive.

thandi mom

Roselina Botha My Mother


With tears in her eyes while I was talking to her and taking her back to aparheid days. She is holding her mother’s (Iris Botha) Dom-pas.

Blacks and Coloured people were to carry the Dom-pas to come to town.

 

 

NY 9 Room 17 Gugulethu


The house which Roselina had to pay rent for during apartheid days. Now she owns it.

 

The Rent Card

Black people were to pay rent with this card. If you didn’t pay for three months you will be chucked out of the house.

Because of Apartheid, Black people were forced to move to one place to the other. Roselina Botha, my mother and her family was also moved many times.

 

Free at last


Black people were not allowed to sit in  such places (The Company Garden) in Town during Aparheid.

 

My Heritage, My Roots, My Culture

We need to keep our culture alive

Don’t forget you background

 

SIYANDA MGUZULWA - KHAYELITSHA

Heritage in Khayelitsha

Before our house was a shack but now it is a brick house. Most people found in Khayelitsha are Xhosa coming from Eastern Cape. They are the people I belong to culturally speaking. Khayelitsha people are holding onto their culture and traditions. We don’t follow all the traditions because of our church, The only tradition we perform is the circumcision because my father went to initiation school do did my brothers.

 

If you can see in the picture, there are blood stains. The sheeps were being slaughtered. They are going to have a traditional ceremony.

This is how umqombothi is made.

About Lwandle Museum

Lwandle was a place of hostels and only men were allowed to live there. It was a place of Apartheid politics. The museum is  mostly about the Lwandle labour, how they lived, how black workers were not allowed to have permanent residence. The black workers were only employed when the whites cannot find suitable coloured workers. The people were brought from the Eastern Cape, not guaranteed jobs and were given 72 hours to go back. They never give up hope.

Migrant Labour Museum

This was the hostels room and what you see in the picture is the closet.

 

NOLWAZI MEHLOMANE - HOUT BAY/ KHAYELITSHA

Slavery is a part of all of our heritage, one way or another. It polishes our past and shapes our future. No matter who you are or where you are from, it does have an impact on you. - Nolwazi

Who am I?


I am a 17 year old girl who is on route to finding her true being, black and proud, fat and loving it. I have a small heart, but with lots of love. I may not be sure of who I am but that won’t stop me from going forward. I may not know who I am but try to. You may know who you are, or think you do, but have you ever questioned that?

I was discriminated against
Because of the accent of my voice
‘cause on the other end she
thought I was white.
Now that I’m black you cannot
handle it
‘cause now we equal.
Almost everything about us
is the same.
Over the phone when you thought
I was white, you were kind
Now that I’m black and in your
face, you’re cruel, when I
ask you why, you tell me
“I thought you were white”

This is a step of cement, that was made to represent the tree which stood there. Under this tree slaves were auctioned.

As I sit here I wonder
wonder what was it
that made them hate us so much?

Then it comes to me
They were never happy
Love to them didn’t exist

For they felt this emptiness inside
and treating another with
a darker skin
made them feel fuller and bigger.

They did not realize
That they were making
us strong and them becoming weaker
For now today we walk proud
and free and do not hide our past.

But they walk with shame
and a fear of what they
will become
Some even change their
name cause those names
were causes of pain, suffering
and death.

These are the streets of my community.
It’s calm by day, wild by night.

A home small to you, but
Big to me.
It was built by the strength
And sweat
Of my late grandpa.

It may look small
And disorganized
But it’s filled with so much
Love
That it will be impossible
To forget it.

The truth has been hidden
from me for so long.
The pain, the suffering of the
ones who lived before us.
Now comes back in a rush
to push my curiosity.

I can feel for them their
pain, but make it up to
them, yes by making their
sufferings my victory.

 

SANCO ISAACS - ELSIES RIVER

Searching

I look behind me
could it have been?
In front it looks
Like a whirlwind

I have so many faces
So many masks
Which one is mine
I dare even ask.

I’m so near
But yet so far
Reality is screaming
It’s tearing me apart

Since I can remember, I have been different, conservative, quiet but not shy, but sometimes people perceive me in that manner. To me life was tough, for my mother too. Alcohol seemed to be a way for her to cope, almost to numb emotional pain, which left her oblivious to my needs emotionally.

In past times, my neighbourhood was very similar to the wild, wild west. Gangsterism and drugs was away of life, to empower and cope.

These days has past but unfortunately the stigma remains. Elsies is my home, my family, my pride but things has not always been that way.

In my community people care, everybody knows each other. The Groenewalds, our neighbours knows their neighbours the Adonisis and to them I was like family. They became my mother and father, they “adopted” me, made me feel special and that I mattered.

Watching TV was a privilege to me. Growing up in a shack without electricity was not easy, but it learned me valuable principles, like humility, respect and perseverance. I conquered all the odds finishing my matric in 2005.

This is my family. In winter when it is very cold we used to make a “gellie blik” fire. All the family members would then come sit around the fire and just talk about what has been happening around the community. The children were usually quiet while the grown ups talked.

Journey


On the train
From Elsies to
Cape town I
Embarked on a journey

Phrases and places passed,
Familiar in all their splendour
Of mix, but yet vibrant
Influences of colossal
Significance from a
Past, that can be
Touched, smell, taste
And see

Now empty, but not
Deserted, Dusty but
Preserved for a
Generation that will
know their roots
in the past and
their Identity in
The future.

 

NKOSNATHI KILANI - VRYGROND MUIZENBERG

The shadow of slaves still covers Cape Town.

This is a slave lodge. In 1679 slaves lived in bad conditions in big numbers and some died in this lodge.

Over 9 thousand slaves were brought here from all over Africa and Asia in ships.

They were brought in ships and chained like animals.

We are still affected by slavery and Apartheid.

My mom and a mom to many people in my community.

We live in a community where substance abuse is dominating. By using substance we are limiting our own opportunities in our lives.

This is a salon in the past in District Six and it is said that everybody used that salon so that’s why everyone know everyone’s business.

These guys are Congolese and they are my friends. They are judged for being Congolses not for being who they are inside. Some South Africans think they are better than them because they are South Africans.

 

BERENICE SOLOMONS - ATLANTIS

A number of participants during the workshop discovered the roots of their names date back to slavery.

 

Knowledge is power

Column of Memories with names of the slaves

This is where my whole journey started …walking in the steps of my ancestors.

 

Sense of belonging


Knowing where I really come from … All happened in this place. Never in a million years I thought I was gonna be the first one from my family to discover the meaning of our name. “Solomons” is a slavery surname and “Le Keur” came from the French.

Going back to my roots

My Aunt Siena Sofia Lekeur, 77 years. She was born in 1930. She met my uncle John Lekeur in her early twenties and got married to him at the age of 26. Being married to him was her most wonderful years, and their marriage was indescribable for 51 years. To be married for so long only means one thing, he was the love of her life, until they were separated by his death. She talks about her belated husband almost as if he was still alive.

My uncle John Lekeur.

Her greatest love who passed away a month before his 75th birthday ten years ago.

 

Atlantis, a small town of the West Coast which was called the “The Lost City” made it’s existence in 1975.

Coming to the end of my story “my house”. Making this place so special is that the street I live on was the first street in Atlantis. Grew up here at the age of nine, besides being an old house, this is where I lived all my childhood memories...

 

NATASHA ABRAHAMS - ATLANTIS

Creating space for myself in Cape Town is still the thing I’m struggling with. My family were removed to the West Coast area of the Western Cape, Atlantis. Having no access to town that makes me very frustrated. I am a person who loves being in town.

Thousands of women and children were locked up at the Slave Lodge. They were abused by sailors who came and sexually abused them. Sailors mostly white men came to the lodge for the women.

The women were not allowed to go outside, they had to stay in while the men “Coloured and Black” had to go work for the white people. Women and children had no rights. They were the property of their masters and couldn’t defend themselves against all the abuse.

Slaves used to do their day to day runnings in this courtyard, cooking, cleaning, washing and socializing.

A space filled with tears and sadness, and sometimes laughter and joy.

Cape Town was built by slaves.

 

Thursday Tradition – curling hair for the Friday.

Still exploring my culture, I equipped myself to educate the youth in my community.

 

an exhibition

The specifics of the history explored in these heritage books create an intimate look into recent family history around Cape Town. The material created is extremely accessible to youth and adults alike and the exhibition of these books will engage people who might find heritage sites generally daunting.

Read participants' Memory Poems

Please let us know if you would like to be invited to this exhibition or would like to invite the exhibition to a university, museum or community project you may be involved with somewhere else in the world.
Alternatively if you would like us to facilitate a similar process for a group of people you are working with contact us